Mexican poet, essayist, and political thinker. His works reflect many influences, including Marxism, surrealism, and Aztec mythology. El laberinto de la soledad/The Labyrinth of Solitude (1950), the book which brought him to world attention, explores Mexico's heritage. His long poem Piedra del sol/Sun Stone (1957) uses contrasting images, centring on the Aztec Calendar Stone (representing the Aztec universe), to symbolize the loneliness of individuals and their search for union with others. He was awarded the Nobel Prize for Literature in 1990.
In 1962 Paz was appointed Mexican ambassador to India, but resigned in 1968 in protest against the Mexican government's killing of 200 student demonstrators on the eve of the Olympic Games
Born in Mexico City, Paz studied at the National University of Mexico, but left in 1936 to set up a school to help poor children in rural Yucatán. In 1937 he fought in the Spanish Civil War, in a Republican brigade commanded by David Siqueiros. After a time as a left-wing journalist and Mexican diplomat 1946–51, he concentrated on writing.
BETWEEN GOING AND COMING
Between going and staying
the day wavers,
in love with its own transparency.
The circular afternoon is now a bay
where the world in stillness rocks.
All is visible and all elusive,
all is near and can’t be touched.
Paper, book, pencil, glass,
rest in the shade of their names.
Time throbbing in my temples repeats
the same unchanging syllable of blood.
The light turns the indifferent wall
into a ghostly theater of reflections.
I find myself in the middle of an eye,
watching myself in its blank stare.
The moment scatters. Motionless,
I stay and go: I am a pause.
AS ONE LISTENS TO THE RAIN
Listen to me as one listens to the rain,
not attentive, not distracted,
light footsteps, thin drizzle,
water that is air, air that is time,
the day is still leaving,
the night has yet to arrive,
figurations of mist
at the turn of the corner,
figurations of time
at the bend in this pause,
listen to me as one listens to the rain,
without listening, hear what I say
with eyes open inward, asleep
with all five senses awake,
it's raining, light footsteps, a murmur of syllables,
air and water, words with no weight:
what we are and are,
the days and years, this moment,
weightless time and heavy sorrow,
listen to me as one listens to the rain,
wet asphalt is shining,
steam rises and walks away,
night unfolds and looks at me,
you are you and your body of steam,
you and your face of night,
you and your hair, unhurried lightning,
you cross the street and enter my forehead,
footsteps of water across my eyes,
listen to me as one listens to the rain,
the asphalt's shining, you cross the street,
it is the mist, wandering in the night,
it is the night, asleep in your bed,
it is the surge of waves in your breath,
your fingers of water dampen my forehead,
your fingers of flame burn my eyes,
your fingers of air open eyelids of time,
a spring of visions and resurrections,
listen to me as one listens to the rain,
the years go by, the moments return,
do you hear the footsteps in the next room?
not here, not there: you hear them
in another time that is now,
listen to the footsteps of time,
inventor of places with no weight, nowhere,
listen to the rain running over the terrace,
the night is now more night in the grove,
lightning has nestled among the leaves,
a restless garden adrift-go in,
your shadow covers this page.
THE BRIDGE
Between now and now,
between I am and you are,
the word bridge.
Entering it
you enter yourself:
the world connects
and closes like a ring.
From one bank to another,
there is always
a body stretched:
a rainbow.
I'll sleep beneath its arches.
ACROSS
I turn the page of the day,
writing what I'm told
by the motion of your eyelashes.
I enter you,
the truthfulness of the dark.
I want proofs of darkness, want
to drink the black wine:
take my eyes and crush them.
A drop of night
on your breast's tip:
mysteries of the carnation.
Closing my eyes
I open them inside your eyes.
Always awake
on its garnet bed:
your wet tongue.
There are fountains
in the garden of your veins.
With a mask of blood
I cross your thoughts blankly:
amnesia guides me
to the other side of life.
BROTHERHOOD
I am a man: little do I last
and the night is enormous.
But I look up:
the stars write.
Unknowing I understand:
I too am written,
and at this very moment
someone spells me out.
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