Thursday, February 18, 2021

ROBERT SPENCER - American painter - Impressionist

 






https://upload.wikimedia.org/wikipedia/commons/a/ac/Robert_Carpenter_Spencer_self_portrait_1909.png

Robert Carpenter Spencer ( 1879 – 1931) was an American painter who received extensive recognition in his day. He was one of the Pennsylvania impressionists, but is better known for his paintings of the mills and working people of the Delaware River region than for landscapes. His work is held in numerous public collections. 

Spencer is known for his paintings of figures against a backdrop of factories and apartment houses, in an impressionist style with short, tight brushstrokes. The paintings he made in 1909–1910 of the Pennsylvania mills and the women mill workers are considered his best. He said, "A landscape without a building or a figure is a very lonely picture to me." Well known works include The Silk Mill (1912), Grey Mills (1913), The Closing Hour (1913) and Repairing the Bridge (1913). The Metropolitan Museum of Art bought Repairing the Bridge in 1914. His painting On the Canal, New Hope was acquired in 1916 by the Detroit Museum of Art. It depicts the back of run-down houses on the canal, with the lower portions whitewashed and bathed in light, with women doing housework.

A contemporary critic wrote, "Interpreted thro' the temperament of Robert Spencer a squalid motive which most of us would pass daily and regard as hopelessly commonplace is presented in a way to stir our emotions and without losing anything of its truth..." Pierre Bonnard said in 1926 "Mr. Spencer . . . is in the full vigor of his talent, which is great. His art does not resemble European art, a rare fact in America." According to the art collector Duncan Phillips he was"a rebel always against the standardized and stereotyped in art... [there was] no other painter, not John Sloan, or Edward Hopper, more pungently American in expression."

Spencer exhibited widely in the United States and abroad. Institutions that hold his work include the Art Institute of Chicago, the Metropolitan Museum of Art, the James A. Michener Art Museum, the Brooklyn Museum, the Smithsonian Institution, the Berkshire Museum, the Corcoran Gallery of Art, the Philadelphia Museum of Art, the National Academy of Design, The Reading Public Museum, the Detroit Institute of Fine Arts, the National Arts Club, the Delaware Art Museum, the Widener University Art Museum and The Phillips Collection in Washington D.C















































Monday, February 15, 2021

BELIEVE IN YOURSELF - by Edgar A. Guest

 



BELIEVE  IN  YOURSELF

by  Edgar A. Guest


Believe in yourself! Believe you were made
To do any task without calling for aid.
Believe, without growing too scornfully proud,
That you, as the greatest and least are endowed.
A mind to do thinking, two hands and two eyes
Are all the equipment God gives to the wise.


Believe in yourself! You are divinely designed
And perfectly made for the work of mankind.
This truth you must cling to through danger and pain;
The heights others have reached you can also attain.
Believe to the very last hour, for it is true,
That whatever you will, you've been gifted to do.


Believe in yourself and step out unafraid.
By misgivings and doubt be not easily swayed.
You've the right to succeed; the precision of skill
Which betokens the great you can earn if you will!
The wisdom of the ages is yours if you'll read.
But you've got to believe in yourself to succeed







THE CRIPPLE - by by Guy de Maupassant

 



The following adventure happened to me about 1882. I had just taken the train and settled down in a corner, hoping that I should be left alone, when the door suddenly opened again and I heard a voice say: “Take care, monsieur, we are just at a crossing; the step is very high.”

Another voice answered: “That's all right, Laurent, I have a firm hold on the handle.”

Then a head appeared, and two hands seized the leather straps hanging on either side of the door and slowly pulled up an enormous body, whose feet striking on the step, sounded like two canes. When the man had hoisted his torso into the compartment I noticed, at the loose edge of his trousers, the end of a wooden leg, which was soon followed by its mate. A head appeared behind this traveller and asked; “Are you all right, monsieur ?”

“Yes, my boy.”

“Then here are your packages and crutches.”

And a servant, who looked like an old soldier, climbed in, carrying in his arms a stack of bundles wrapped in black and yellow papers and carefully tied; he placed one after the other in the net over his master's head. Then he said: “There, monsieur, that is all. There are five of them, the candy, the doll the drum, the gun, and the pate de foies gras.”

“Very well, my boy.”

“Thank you, Laurent; good health !”

The man closed the door and walked away, and I looked at my neighbor. He was about thirty-five, although his hair was almost white; he wore the ribbon of the Legion of Honor; he had a heavy mustache and was quite stout, with the stoutness of a strong and active man who is kept motionless on account of some infirmity. He wiped his brow, sighed, and, looking me full in the face, he asked: “Does smoking annoy you, monsieur ?”

“No, monsieur.”

Surely I knew that eye, that voice, that face. But when and where had I seen them ? I had certainly met that man, spoken to him, shaken his hand. That was a long, long time ago. It was lost in the haze wherein the mind seems to feel around blindly for memories and pursues them like fleeing phantoms without being able to seize them. He, too, was observing me, staring me out of countenance, with the persistence of a man who remembers slightly but not completely. Our eyes, embarrassed by this persistent contact, turned away; then, after a few minutes, drawn together again by the obscure and tenacious will of working memory, they met once more, and I said: “Monsieur, instead of staring at each other for an hour or so, would it not be better to try to discover where we have known each other ?”

My neighbor answered graciously: “You are quite right, monsieur.”

I named myself: “I am Henri Bonclair, a magistrate.”

He hesitated for a few minutes; then, with the vague look and voice which accompany great mental tension, he said: “Oh, I remember perfectly. I met you twelve years ago, before the war, at the Poincels !”

“Yes, monsieur. Ah! Ah! You are Lieutenant Revaliere ?”

“Yes. I was Captain Revaliere even up to the time when I lost my feet  - both of them together from one cannon ball.”

Now that we knew each other's identity we looked at each other again. I remembered perfectly the handsome, slender youth who led the cotillons with such frenzied agility and gracefulness that he had been nicknamed “the fury.” Going back into the dim, distant past, I recalled a story which I had heard and forgotten, one of those stories to which one listens but forgets, and which leave but a faint impression upon the memory.

There was something about love in it. Little by little the shadows cleared up, and the face of a young girl appeared before my eyes. Then her name struck me with the force of an explosion: Mademoiselle de Mandel. I remembered everything now. It was indeed a love story, but quite commonplace. The young girl loved this young man, and when I had met them there was already talk of the approaching wedding. The youth seemed to be very much in love, very happy.

I raised my eye to the net, where all the packages which had been brought in by the servant were trembling from the motion of the train, and the voice of the servant came back to me, as if he had just finished speaking. He had said: “There, monsieur, that is all. There are five of them: the candy, the doll, the drum, the gun, and the pate de foies gras.”

Then, in a second, a whole romance unfolded itself in my head. It was like all those which I had already read, where the young lady married notwithstanding the catastrophe, whether physical or financial; therefore, this officer who had been maimed in the war had returned, after the campaign, to the young girl who had given him her promise, and she had kept her word.

I considered that very beautiful, but simple, just as one, considers simple all devotions and climaxes in books or in plays. It always seems, when one reads or listens to these stories of magnanimity, that one could sacrifice one's self with enthusiastic pleasure and overwhelming joy. But the following day, when an unfortunate friend comes to borrow some money, there is a strange revulsion of feeling.

But, suddenly, another supposition, less poetic and more realistic, replaced the first one. Perhaps he had married before the war, before this frightful accident, and she, in despair and resignation, had been forced to receive, care for, cheer, and support this husband, who had departed, a handsome man, and had returned without his feet, a frightful wreck, forced into immobility, powerless anger, and fatal obesity.

Was he happy or in torture ? I was seized with an irresistible desire to know his story, or, at least, the principal points, which would permit me to guess that which he could not or would not tell me. Still thinking the matter over, I began talking to him. We had exchanged a few commonplace words; and I raised my eyes to the net, and thought: “He must have three children: the bonbons are for his wife, the doll for his little girl, the drum and the gun for his sons, and this pate de foies gras for himself.”

Suddenly I asked him: “Are you a father, monsieur ?”

He answered: “No, monsieur.”

I suddenly felt confused, as if I had been guilty of some breach of etiquette, and I continued: “I beg your pardon. I had thought that you were when I heard your servant speaking about the toys. One listens and draws conclusions unconsciously.”

He smiled and then murmured: “No, I am not even married. I am still at the preliminary stage.”

I pretended suddenly to remember, and said:

“Oh! that's true! When I knew you, you were engaged to Mademoiselle de Mandel, I believe.”

“Yes, monsieur, your memory is excellent.”

I grew very bold and added: “I also seem to remember hearing that Mademoiselle de Mandel married Monsieur....Monsieur...”

He calmly mentioned the name: “Monsieur de Fleurel.”

“Yes, that's it ! I remember it was on that occasion that I heard of your wound.”

I looked him full in the face, and he blushed. His full face, which was already red from the oversupply of blood, turned crimson. He answered quickly, with a sudden ardor of a man who is pleading a cause which is lost in his mind and in his heart, but which he does not wish to admit.

“It is wrong, monsieur, to couple my name with that of Madame de Fleurel. When I returned from the war-without my feet, alas ! I never would have permitted her to become my wife. Was it possible ? When one marries, monsieur, it is not in order to parade one's generosity; it is in order to live every day, every hour, every minute, every second beside a man; and if this man is disfigured, as I am, it is a death sentence to marry him ! Oh, I understand, I admire all sacrifices and devotions when they have a limit, but I do not admit that a woman should give up her whole life, all joy, all her dreams, in order to satisfy the admiration of the gallery. When I hear, on the floor of my room, the tapping of my wooden legs and of my crutches, I grow angry enough to strangle my servant. Do you think that I would permit a woman to do what I myself am unable to tolerate? And, then, do you think that my stumps are pretty ?”

He was silent. What could I say ? He certainly was right. Could I blame her, hold her in contempt, even say that she was wrong ? No. However, the end which conformed to the rule, to the truth, did not satisfy my poetic appetite. These heroic deeds demand a beautiful sacrifice, which seemed to be lacking, and I felt a certain disappointment. I suddenly asked: “Has Madame de Fleurel any children ?”

“Yes, one girl and two boys. It is for them that I am bringing these toys. She and her husband are very kind to me.”

The train was going up the incline to Saint-Germain. It passed through the tunnels, entered the station, and stopped. I was about to offer my arm to the wounded officer, in order to help him descend, when two hands were stretched up to him through the open door.

“Hello ! my dear Revaliere !”

“Ah! Hello, Fleurel!”

Standing behind the man, the woman, still beautiful, was smiling and waving her hands to him. A little girl, standing beside her, was jumping for joy, and two young boys were eagerly watching the drum and the gun, which were passing from the car into their father's hands.

When the cripple was on the ground, all the children kissed him. Then they set off, the little girl holding in her hand the small varnished rung of a crutch, just as she might walk beside her big friend and hold his thumb.



coeur



MY LOVE NEVER CAN DO WITHOUT YOU... - by Ravi Sathasivam, Sri Lanka

 





MY LOVE NEVER CAN DO WITHOUT YOU...

by Ravi Sathasivam, Sri Lanka


Your love is the greatest things to me
I have seen it the day I met you
You are great most in everything
Allowed me to steal your heart forever
I have to thank God for bring you to me 
Otherwise my life would have gone so lifeless 
No matter the distance that keep us apart
but you are always will be secure in my heart  
Sometime my words don't come out to easily 
but my body language make you understand deeply
When you are in my arms like an angel
Cause, I feel all the world is belonging to me
I love you more than my poem can tell you
and wider than blue the sky hold you
Today you are in my heart and soul 
and my love never can do without you








MY LOVE FOR YOU - by Faton Ratkoceri, UK




MY LOVE FOR YOU


by Faton Ratkoceri, UK





My love for you 


Shine, shine like a star in a blurry sky 

Just don’t go on breaking this heart of mine 

Drinking the life’s poison to kill the pain 

baby your doings drive me insane 




it’s not the way you talk 

nor the way you walk 

it’s not even how you go about 

it’s not even when you loose a nut
 
all is well when you are in vicinity 

feeling your presence is an order for my heart and

 soul 

‘cus baby I love you every day more and more… 







ROMANCE AND BEAUTY IN THE STYLE OF PIN-UP ... - various artists

  





We need beauty to be loved by men; and stupidity is for us to love men - Coco Chanel











































































THE TIDINGS - by Skipwith Cannéll

 


Once upon a time, in a certain secret city of the East, lived a woman who was a sorceress. And she awaited tidings of great joy or tidings of terrible sorrow.

All day long, from her housetop, she had peered across the desert, seeking the messenger who did not come. At nightfall her servants returned to her with rumors gathered in the market place. With rumors of sorrow they returned and stood in a row before her with averted faces.

When she had heard their fears, she thanked them, and going down from the housetop, she sought a hidden chamber where she could be alone and silent. When she had pondered for awhile, she piled rare herbs in a brazier, and wet them with strange liquors, and touched fire to them. The flames flickered and smoked, singing a soft happy little song all to themselves. But she could read no answer in the singing, and no meaning in the coils of smoke; and she was very sad. At last, with a despairing gesture, she took certain secret things from the chest whereof she alone had the key, and those things she laid upon the fire and watched until they were consumed.

As soon as the embers were cold and gray, she took from the carven chest a vial of jade and a jade cup. From the vial she poured out a pale green potion, and raising the cup in her hands, she drank it to the end. Then she lay down upon the marble couch. In a little while she slept.

A sweet, heavy vapor rose from the cup, filling the room with perfume. The dregs glowed with dull evil light, for the potion had been poison, and her sleep was death.

In the morning came a messenger, bearing tidings of great joy.